Is there such a thing as an art based EULA?

“A good book deserves an active reading. The activity of reading does not stop with the work of understanding what a book says. It must be completed by the work of criticism, the work of judging. The undemanding reader fails to satisfy this requirement, probably even more than he fails to analyze and interpret. He not only makes no effort to understand; he also dismisses a book simply by putting it aside and forgetting it. Worse than faintly praising it, he damns it by giving it no critical consideration whatever.”
~ Mortimer J. Adler, How to Read a Book: The Classic Guide to Intelligent Reading

One of the biggest arguments I ever got into when I was in college was about artist (and specifically to the discussion then, authors) responsibility.  It was one of those life changing conversations and it has played out in my mins for the last 25 years in varying forms and with multiple applications.

One of the concepts that was brought up minimally then, but seems much more relevant now is that of the artists spectator. The actors viewer, the artists watcher, the authors reader.  I would argue that art is a social process, there is an end-user and a silently understood agreement (a EULA, if you will) between the artist and the one who “experiences” the art. I am not saying that a painter paints for a specific audience, I am saying the artist paints for an audience. This plays out in many ways.  I am not speaking to message of the art form, nor am I speaking to interpretation of the art form. I am speaking about the end-user. The watcher, reader, listener, or viewer.

I think we readers, watchers, viewers have gotten piss spoor about this part of the social contact. I know of only a very few people who consistently do these things actively, and even they slip up. We have gotten lazy, we react before fully reading, watching, listening or viewing. It may be that artists have stopped giving a shit about that their audience thinks or responds to their work, but on some level they have to want the people who experience their works to not pass by it in ignorance? I don’t know.

I, personally, write in the hope that the person reading my works thinks about something.  While I may be working through something deeply personal, having a reader respond often offers me greater insight. If they misunderstand, it helps me learn how to be clearer.

 

 

I have a friend that writes. They have an incredible vocabulary, though it is sometimes a bit archaic. They are pretty good at giving the reader what they want them to react to. I would say it is a mark of a good writer.  The interesting thing with my friend though, is that there is a general laziness with interpersonal conversation. That is frustrating. I imagine that the marvels and instant gratification of social media play out in these things.  Based on how I see communication working out now a-days, people seem to like to get their panties in bunch. They read a post, or see a picture and form these hard-line reactions.

I am no saint in this regard. I caught myself doing it all the time. it was to the point where it became personally embarrassing. Thankfully I have some friends who loved me enough to tell me to go back, read it again.  So, I would pull my panties out and go back. And 99% of the time, I had reacted rather than read.

So, what are some things that I do that help me know I am doing this?

If something pisses me off, I go back and read or look at it again. Occasionally I will read it out loud, or view it in a different place.  I pinpoint the words/images that I am reacting to. I ask myself what are they trying to communicate? If I am still unclear, I ask questions.  Am I reacting very strongly, then take a break and go back to it later (in instant gratification land, this can feel tough). In the case of written work, write it out. Look up words that you may not be sure about how they are being used (this one has been fun, for my friend with the archaic vocabulary, I sent them a list of all the words I had looked up when I had read their work… I thought it a fun conversation).

In the world where texting, email, posts, and comments have become a regular form of communication, it might behoove us all to become better at what I might call active appreciation.  Actually, you do whatever you want… but as for me, I am going to try to listen, watch, read, and view  with more attention.

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2 thoughts on “Is there such a thing as an art based EULA?

  1. I enjoyed reading this piece and can appreciate the topic. This is important dialogue that we should be having on a much greater level. I’m afraid that ignorance has crept in and many people are unavailable or unable to participate in the conversation. I also love the exercise you have mentioned about keeping yourself in check. I find that when I practice mindfulness, my extreme reaction stems from an emotional connection, typically negative. Once I make that connection I’m able to disconnect and make a less judgmental assessment of the argument. xoxo

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  2. I am a part of a writing group in which one of our members flew off the handle about a comment claiming it was inappropriate and ended up censuring everything people were turning in. The problem was that I felt that she had over interpreted the comment… I tried to call her on it, but that just made her even more angry… this person, the angry one… is a friend so it was touchy… I then got called out for enforcing the negative. It was ugly, but it is also something I have gone through from various angles of this kind of dynamic so this was kind of a reminder piece where I am more thinking out loud!

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